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Scholars and professional saxophonists regard the§compositions for saxophone written during the§inter-war period (1918-1945) to be the foundation of§the modern saxophone repertoire. However, many works§composed during the third and fourth quarter of the§twentieth century surpass those of the previous§period and clearly establish a new standard of§writing for the modern saxophone. This new standard§of classical performance practice for the saxophone§represents an evolution in technique and sound. This§study examines the composition Notturno (1981) for§saxophone and piano by the American composer Steven§Stucky. The express purpose of this study is to§elicit a greater understanding of present-day§saxophone performance practices by examining a work§that contains quintessential characteristics of the§new modern performance practice standard. Specific§performance techniques contained in Notturno are§briefly contextualized historically, and described in§detail. Performance suggestions are also offered to§assist the performer in realizing those techniques.
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Английски език
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