Над 4 милиона заглавия на английски и други езици! Открийте новата си история още днес! Безплатна доставка за поръчки над 69.99€

Проверка на състоянието на поръчката

Станете част от общност от любители на книгите от цял свят и получавате много предимства. Създай на безплатен акаунт

Безплатна доставка със Еконт над 69.99 €

Куриер Speedy 3.49 € Пункт на Speedy 3.49 € ЕКОНТ 3.99 € Еконтомат/Офис на Еконт 3.99 € Ekont Box 3.99 € Sameday 3.99 € Sameday box 3.99 € Box Now 3.99 €

Контакт

Как се пазарува?

Помощ

Моят акаунт

▸ Празна :-(

Black Performance Theory

Anita Gonzalez

Език

Английски език

Книга С меки корици

Код Либристо: 04939747

Издателство Duke University Press, май 2014

Black performance theory is a rich interdisciplinary area of study and critical method. This collect... Цялото описание

Код Либристо: 04939747

91 b

37.85 €

74.03 лв

Външен склад Изпращаме след 9-15 дни

30 дни за връщане на стоката

Клиентите са закупили също

Christliche Ermanung an des Naumburgischen Stifts Unterthanen wes sie sich bey dem vorgefallenen mißvorstand in Religionssachen halten sollen ... Carl von Reifitz

С меки корици

41.68 € 81.52 лв

Pendname-i Attar Serhi

С меки корици

24.33 € 47.59 лв

Apperzeption ALS Grundbegriff Der Padagogischen Psychologie August Messer

С меки корици

19.05 € 37.26 лв

Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers - many of whom are performers - demonstrates the breadth and depth, innovation and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes between Liverpool and Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the posthumous documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as a series of tableaux vivants of seminal hip-hop album covers. Whether discussing the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.