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This four-volume set of publications focuses on Christopher Williams' theatrical work Stage Play, first presented in 2017 at Miller's Studio in Zürich. Housed in a slipcase, it contains documentation and the playscript for his eponymous play, related publicity and research documents, the artist's series of open letters, and a related interview he conducted with historian Markus Krajewski on the ceramic tile fac ades of post-war architecture in Cologne. In addition to two critical essays by McDonough, this publication is largest collection to date of Williams' writing.
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