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This volume honors the vital impact of David Freedberg, Pierre Matisse Professor of the History of Art and Director of The Italian Academy for Advanced Studies in America at Columbia University, on the field of art history and several cognate areas of research. Essays by leading specialists on early modern northern European and Italian art and history, prints and print culture, iconoclasm and responses to images, connoisseurship, and the history of collecting, testify to Freedberg's wide area of influence and a substantial intellectual legacy in the making. With contributions by Renzo Baldasso, Marisa Anne Bass, Emily A. Beeny, Carolin Behrmann, Francesco Benelli, David, Benjamin, Horst Bredekamp, Giovanna Alberta Campitelli, Chiara Cappelletto, Georges Didi-Huberman, Adam Eaker, Jan Piet Filedt Kok, Robert Fucci, Diletta Gamberini, Maartje van Gelder, Carlo Ginzburg, Claudia Goldstein, Emilie E.S. Gordenker, Meredith McNeill Hale, Koenraad Jonckheere, Margaret K. Koerner, Catherine Levesque, Victoria Sancho Lobis, Peter N. Miller, Alexandra Onuf, Peter Parshall, Andrea Pinotti, Larry Silver, William Stenhouse, Jonathan Unglaub, Mariët Westermann, Veronica Maria White, Anne T. Woollett, Elizabeth Wyckoff, and Carolyn Yerkes.
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