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The major focus of the book is to verify the impact of European opera on some major authors (such as Whitman, Melville, Dickinson, James, Santayana, Merrill) who exemplify the function of opera as an instrument of self definition and occasion for the search of deeper truths. The study uses the critical instruments of both cultural studies and philological research in order to offer an ample vision of the context of events, and a close reading of texts chosen. In spite of their Puritan heritage, Americans showed an early interest in theater, including musical theater. The fortunes of Mozart's music and Da Ponte's librettos at the beginning of 19th century forerun the triumphs of opera companies which later toured the country, reaching its remotest corners.