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Teorie obrazu
Czech
43 b
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Publikace je souborem esej?, kter? se postupn? v?nuj? jednotliv?m aspekt?m vztahu textu a obrazu. Mitchell rozeb?r? reprezentace obrazov? i verb?ln?, souvislosti obrazu a jazyka, a to v?e dokl?d? na velmi ?irok? ?k?le praktick?ch uk?zek z ka?dodenn?ho ?ivota. Z?kladem Mitchellova p??stupu k obraz?m (a nejen k nim) je interdisciplinarita: jeho hlavn? argument pro multidisciplin?rn? n?hled vych?z? z obavy, ?e d?kladn? lingvistick? interpretace obraz? fakticky br?n? jejich hlub??mu porozum?n?. Kouzlem text? je, ?e se v nich nen?siln? potk?vaj? William Blake, dinosau?i z Jursk?ho parku, Nelson Goodman, p??m? p?enos CNN, Spike Lee, Erwin Panofsky, ale tak? film Olivera Stonea. Zjednodu?en? m??eme konstatovat, ?e Teorie obrazu propaguje vizu?ln? gramotnost a Mitchell v tomto sv?m textu dosp?v? k z?v?ru, ?e obraz?m, kter? n?s obklopuj?, se sice nem??eme br?nit, ale m??eme jim l?pe rozum?t, a tak ?init sv?t lep??m. Kniha je vhodnou vstupn? branou do sv?ta obraz?, n?strojem a pom?ckou pro lep?? pochopen? vizu?ln? slo?ky sv?ta, ve kter?m ?ijeme.
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